Imagist, Seed Lynn, submits deep listening as a liberation practice. Whether sensually, technically, or artfully applied, Lynn greets the lens as an altered state where listening and witnessing keep voice sacred. This state invades his work, frames subjects honestly, and in turn, shapes spaces where stories find students. Lynn’s studies concern how we remember ourselves, who that memory serves, and how remembrance itself, in the face of oppression, is as radical an act as it is a work of art.